(New commissions sheet!)
I am available to do a range of vector graphics, both commercial and non-commercial, particularly specialising in emoji, emotes and iconography. (I've recently been branching out into larger vector illustrations as well!)


Illustrator & Concept Artist. | Full-time space moth π¦π | π³οΈβπ π³οΈββ§οΈ NB (she/they) | π§π·
(New commissions sheet!)
I am available to do a range of vector graphics, both commercial and non-commercial, particularly specialising in emoji, emotes and iconography. (I've recently been branching out into larger vector illustrations as well!)
Anyway what I mean by my last post is that I'm a moth, okie.
TONY SOPRANO AIMING A TYPE-33 NEEDLER
TONY SOPRANO AIMING A TYPE-33 NEEDLER
I donβt nearly get asked this enough, and Iβm not often comfortable enough to talk in details BUT I AM TODAY AND HERE c: (so donβt worry about it π)
I come from a looooong line of fursona changes ever since I started using them back when I was what, 15? Back then dinosaurs and lizards were my jam so I went with a komodo dragon for those early years. Most of the art I made and got during that time is stored somewhere, so I'll just show one that I commissioned a good friend of mine for and that I still love a bunch! Here's my fursona from... what 2013-2016?
But he never really felt like me no matter how hard I redesigned him, and I redesigned him A BUNCH. and see that was always the most important part to me - I had to feel like he was me to be comfortable with the sona.
Fast forward to college (well... college round 2 actually), I fell in love with moths. Started out with my love of cryptids (Mothman-senpaiβ¦) but quickly enough it became love of bugs and especially the fluffy creechurs called moths.